I’m the new writer at Unleaded, and yup, I’m going indie.  It wasn’t an easy decision.  I started writing at eight years old, and my goal was always to get a novel published by a publisher.  Self-publishing was a guy pulling out a book from a closet and trying to sell it.  For fiction, it screamed “Failure.”

But last year, I was taking Holly Lisle’s How to Revise Your Novel, and she decided to go indie.  A lot of writers followed her path.  I looked at it, dismissed it as “not for me.”  But I was drawn back to it more than once, perhaps because it represented a big change to the publishing industry.  I had seen trends I didn’t like, such as books becoming too similar, as well no longer being able to find backlist books by authors I enjoyed.

I considered the pros and cons.  Traditional publishing has more firepower when it comes to promotion.  But they promote to distributors; promoting to the reader is up to the writer.  Books going through traditional publishing get edited a lot, by an editor, a copy editor, and a proofreader.  I’ve seen the value of working with an editor on Washington Independent Review of Books, and I’ve also seen indie books that needed an editor, and more revision.   With these reasons, I might have just gone with traditional publishing.

But there were a few more, including the trend of books being similar.  My writing has always been different.  Over the course of three novel submissions, I’ve had trouble finding agents who would take the stories. I don’t think they’re that different, but it comes through in the agent research the books don’t fit.  I could spend a year submitting the book, have agents like it, but reject because they can’t sell it.  Or tells me to change/take out an element that’s the reason why I wrote the book.

Length was a second reason.  I tend to fall significantly short.  It’s an utter nightmare to add more words.  The entire book has to be pulled apart and rewritten to add new words, and all the while, other parts are being revised out.  It’s very demoralizing to spend a lot of time adding words, and seeing the word count go down!  I’m working on this, and maybe what I’m doing will help.  But I’m terrified I will be up against a deadline with a too short book, and I’ll blow it because it takes soooo long to fix.  Indie doesn’t have word count requirements, so that takes the pressure off me having to reach a specific word count.

The third reason is that I’m a pantser.  I can’t outline.  I’ve tried — I can’t connect my creativity to an outline at all.  But publishers want to see an outline up front.  I asked a published urban fantasy writer about this, and she said if I couldn’t outline, I’d have to write the stories on spec.  Which means I could write a book and torture myself getting the word count up, and then have the publisher reject it for being too different.  Then I have a book I can’t use, and a contract I have to fulfill with a deadline.  I end up taking all the risk, and honestly, that’s not fair to me.

Once I added up these three reasons, indie looked a lot better.  But I’m not going to toss the book up and hope for the best.  I’ve been working on building my Twitter following, as well as my blog, since those two are huge promotion opportunities.

How do you feel about indie books?  Have you been checking any out, or are you in the ‘wouldn’t touch one with a ten foot pole’?  What’s the biggest mistake you think indie writers make?

About the author

Linda Maye Adams Linda Adams has been published in Enchanted Spark and Fabula Argentea and has a non-fiction story in the upcoming Red, White, and True from the University of Nebraska Press. She is a female war veteran from the first Persian Gulf War, and least likely to have been in the army.