Via Pixar storyboard artist, Emma Coats. I picked my top five seven to include here on Unleaded. But you should check out the full list  here: http://io9.gizmodo.com/5916970/the-22-rules-of-storytelling-according-to-pixar

 

#2: You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be v. different.

#3: Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.

#4: Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.

(Note from Day: I really like this fun little “blank” exercise above. It just lets you play and at the same time offers a very basic throughline for a story. How fun is that?!)

#7: Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.

#8: Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.

#9: When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.

#12: Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.

 

Also the image below is Pixar Star Wars. Although not related to the “22 Rules of Storytelling According to Pixar” I couldn’t resist.

Pixar_SW

About the author

DayAlMohamed Day Al-Mohamed is author of the Young Adult novel, “Baba Ali and the Clockwork Djinn.” She is also co-editor for the anthology, “Trust & Treachery” from Dark Quest Books. In addition to speculative fiction, she also writes comics and film scripts. She is an active member of the Cat Vacuuming Society of Northern Virginia Writing Group, of Women in Film and Video, and a graduate of the VONA/Voices Writing Workshop.